Книги

Поколение постпамяти: Письмо и визуальная культура после Холокоста

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Assmann A. Erinnerungsraume: Formen und Wandlungen des kulturellen Gedachtnisses. Miinchen: Beck, 1999.

Assmann A. Reframing Memory: Between Individual and Collective Forms of Constructing the Past // Performing the Past: Memory, History, and Identity in Modern Europe / Ed. by K. Tilmans, F. van Vree, and J. Winter. Amsterdam: Amsterdam University Press, 2010. P. 35–50.

Assmann J. Das kulturelle Gedachtnis: Schrift, Erinnerung und politische Identitat in friiheren Hochkulturen. Miinchen: Beck, 1997 [Ассман Я. Культурная память: Письмо, память о прошлом и политическая идентичность в высоких культурах древности. М.: Языки славянской культуры, 2004].

The Auschwitz Album: A Book Based on an Album Discovered by a Concentration Camp Survivor, Lili Meier / Ed. by P. Hellman. New York: Random House, 1981.

Auschwitz: A History in Photographs / Ed. by T. Swiebicka. Oswiecim, Bloomington, Warsaw: Auschwitz-Birkenau State Museum and Indiana University Press, 1990.

Azoulay A. The Civil Contract of Photography / Transl. by R. Mazali, R. Danieli. New York: Zone Books, 2008.

Bachelard G. The Poetics of Space / Transl. by M. Jolas. New York: Orion Press, 1964 [Башляр Г. Поэтика пространства. М.: Ад Маргинем, 2014].

Baer E.R., BaerH. Postmemory Envy? // Women in German Yearbook: Feminist Studies in German Literature and Culture. 2003. Vol. 19. P. 75–98.

Baer U. Spectral Evidence: The Photography of Trauma. Cambridge, Mass.: MIT Press, 2002.

Baer U. To Give Memory a Place: Holocaust Photography and the Landscape Tradition // Representations. 2000. Vol. 69. P. 38–62.

Ball K. Unspeakable Differences, Unseen Pleasures: The Holocaust as an Object of Desire // Women in German Yearbook: Feminist Studies in German Literature and Culture. 2003. Vol. 19. P. 20–49.

Barnouw D. Germany 1945: Views of War and Violence. Bloomington: Indiana University Press, 1996.

Barthes R. La Chambre claire: Note sur la photographic. Paris: Gal-limard, 1980.

Barthes R. Camera Lucida: Reflections on Photography / Transl. by R. Howard. New York: Hill and Wang, 1981 [Барт P. Camera lucida: Комментарий к фотографии. M.: Ad Marginem, 1997].

Barthes R. Roland Barthes by Roland Barthes / Transl. by Richard Howard. Berkeley: University of California Press, 1977.

Baumel J.T. Double Jeopardy: Gender and the Holocaust. London: Vallentine Mitchell, 1998.

Benjamin W. A Short History of Photography / Transl. by P. Patton // Classic Essays on Photography / Ed. by A. Trachtenberg. New Haven: Yale University Press, 1980 [Беньямин В. Краткая история фотографии. М.: Ad Магginem, 2015].

Benjamin W. The Work of Art in the Age of Mechanical Reproduction // Illuminations / Transl. by H. Zohn, ed. by H. Arendt. New York: Harcourt, Brace & World, 1968. P. 217–251 [Беньямин В. Произведение искусства в эпоху его технической воспроизводимости // Он же. Учение о подобии. М.: РГГУ, 2012].

Bennett J. The Aesthetics of Sense-Memory: Theorising Trauma Through the Visual Arts // Trauma und Erinnerung/ Trauma and Memory: Cross-cultural Perspectives I Ed. by F. Kaltenbeck, P. WeibeL Vienna: Passagen, 2000. P. 81–96.

Bennett J. Empathic Vision: Affect, Trauma, and Contemporary Art. Palo Alto: Stanford University Press, 2005.